BODY OF WORK

the destroyer

my body of work will consist of the following things:

- the rebuilt pot sculpture

- my ninefold mixed media piece

- triptych

- film of the pot being destroyed

- three stills (the pot before smash, a still of the smashing, and one rebuilt)

THE POT SCULPTURE (not yet smashed)

So far I have my pot painted with the body on it and am glossing it. I have decided to use the lid, but I'm not really a fan of it. I'm thinking that when I rebuild it, I can put the collar around it to tie the pot back to the triptych and the mixed media piece. Kind of like that collar holds everything together or something... just an idea.

NINEFOLD MIXED MEDIA

I'm working on this at the moment (while my pot dries) and I'm thinking that, where the heart is down the bottom, to get the same image (but maybe scan it and turn it into a negative to bring some more light into it) and then turps it onto some tissue and tear it into a few sections like a destroyed heart? Then stick it over the other one, but so that the whole can still be seen.

Trying to think how to make that work, but it might also give me a way to fill in the empty section in the corner. Below is how it's looking at the moment.

TRIPTYCH

I had my triptych kind of nearly finished... but I'm wondering if I can start again because I think that they aren't really working how I want them to. I am hoping I can re-photocopy my piece this week and then do a new triptych? I'd be willing to put in the work to catch up.

FILM OF POT DESTROYING

I have a model (a friend of my mother) who is willing to let me film her smash my pot. I am going to have the pot on a black tablecloth with black sheets up behind her, and the woman will be standing behind her. The camera will be straight on getting a shot from her torso to her hips (that's where the table will be ... hopefully). Mum's going to help with lighting and stuff.

The model will enter and the pot will already be on the table. She will be holding the hammer (already painted a kind of purple) and will approach the pot and face it, hitting the hammer on the palm of her hand. She will raise the hammer and strike the pot and continue to do so until it has shattered enough. She will put the hammer down and stand with her hands on the table.

When I edit this and play around with it and stuff I might alter some things. I think I'll put like a heartbeat in the background, getting faster as she hits the hammer on her palm and then slowing right down when the task is done. I also have a turps rubbing of the heart that's got a red tint over it (going to add some shading) which I will baby oil or Vaseline onto her body.

THREE STILLS

I'm either thinking of doing this as photos which I will blow up on cartridge and then work into or sketches that I will work into. I think if I do photos and then gesso into them and work back it would work a bit better than sketches, because I'm a hopeless drawer. The pictures will be the before, during and after that will tie the whole thing together. (the pot will unify the three images, the collar will unify the triptych and mixed media piece with the pot, the heart will be on the destroyers' chest in the second image)